Peak Wildlife Park

Red squirrel
A red squirrel at Peak Wildlife Park. 1/1000th at f8, ISO 1600.

I had a very enjoyable visit to Peak Wildlife Park near Leek in Staffordshire today (24th September 2025). I had visited once before, about ten months ago and enjoyed it so much I knew I wanted to go back.

On that visit last year I had my first ever sighting of red squirrels. Ok, so they were in captivity but it was still a big thing for me. I’m 57 years old and despite lots of visits to areas of the UK where red squirrels can be seen in the wild, I hadn’t ever seen one until November 2024.

I managed to get one reasonable photo of a red squirrel during today’s visit, they were a bit less visible than during my last visit.

Before I go on to write much about my photography today, I just wanted to say how much I enjoyed Peak Wildlife Park. I’m not really a big fan of zoos. I don’t like seeing animals in cages. I know that conditions in many zoos have improved dramatically since my childhood and that many zoos do lots of good work to develop breeding programmes for endangered species etc. But still, I don’t like to see animals in cages. However, at Peak Wildlife Park the animals all seemed to be very well cared for. Additionally, I like the fact that the place is not too big. It’s easy to get around and see everything during one visit, something that is not so easy at larger zoos.

Red Panda
A red panda at Peak Wildlife Park. 1/1000th at f5.6, ISO 3200

I think that during previous visits to zoos and ‘wildlife parks’ I had often suffered from blurring caused by subject movement due to not having a high enough shutter speed. And the reason my shutter speed was too low was out of fear of using higher ISO. I deliberately went out today telling myself not to worry too much about ISO. As a result I was generally using a shutter speed of 1/1000th, sometimes 1/500th and I didn’t get any motion blur. I was using auto ISO and I have my camera set up with 3 different auto ISO brackets to cater for different lighting levels. All of them have the camera’s native ISO 125 as the lower limit and then I have ISO 800, ISO 1600 and ISO 3200 as the upper limits. I made use of all three settings as lighting conditions changed today.

Yes, there was some visible noise when viewing at 100% on my laptop, but noise reduction in post processing software has improved greatly, and does noise / grain really matter so very much anyway? Have I become too used to that ‘clean’ look of a digital photograph? Maybe it’s too clean?

I’ve been trying to worry less about high ISO during my recent gig photography too. Modern sensors, even APS-C and smaller, are so much better than they used to be. Plus, I think I’d rather see a bit of noise than unwanted motion blur.

I only used one lens today, my 100-400mm which offers a field of view roughly the same as a 150-600mm lens would with a 35mm sensor.

Polar Bear.
A polar bear at Peak Wildlife Park. 1/1000th at f8, ISO 800

Firebug

Photo of J.J. Lovegrove performing at FIrebug, Leicester. 12th September 2025.
J.J. Lovegrove at Firebug, 12th September 2025. Fujifilm X-T5, 56mm @ f1.2.

The night of Friday 12th September saw me back at Firebug in Leicester for a fantastic lineup of Chris Ilett, Rai Waddingham, L’Ku, Kevin Hewick, Sally Hossack and J.J. Lovegrove.

I was sporting my X-T5 accompanied by my 35mm f1.4, 56mm f1.2 and the trusty 90mm f2. They’re all firm favourites for gig photography. I did also have my 27mm f2.8 in the bag but I didn’t use it.

In music venues like this one I do find the wider aperture of prime lenses more than makes up for the flexibility of a zoom – which will more than likely have a smaller maximum aperture. The light gathering capabilities of these primes is amazing.

I also find myself astonished at the noise control of the X-T5, and indeed most more modern cameras. All of the photos I’m sharing here were shot at ISO 1600 and I feel pretty comfortable going up to ISO 3200, even ISO 6400 at a pinch when needed (but maybe only for black and white). My first DSLR, a Canon 20D, produced very grainy images at these ISO settings. But hey, I need to remind myself that was 20 years ago. What’s also true is that noise reduction in post processing software has improved dramatically over recent years.

What I really should do is take along a second body as a matter of course so I can have the 90mm on one camera and either the 35, 56 or indeed 27 on another. That way I can have most of the utility of a zoom lens but with much wider apertures just by swapping bodies.

Photo of Chris Ilett performing at FIrebug, Leicester. 12th September 2025.
Chris Ilett at Firebug, 12th September 2025. Fujifilm X-T5, 35mm @ f1.4.
Photo of Rai Waddingham performing at FIrebug, Leicester. 12th September 2025.
Rai Waddingham at Firebug, 12th September 2025. Fujifilm X-T5, 90mm @ f2.
Photo of L'Ku performing at FIrebug, Leicester. 12th September 2025.
L’Ku at Firebug, 12th September 2025. Fujifilm X-T5, 90mm @ f2.
Photo of Kevin Hewick performing at FIrebug, Leicester. 12th September 2025.
Kevin Hewick at Firebug, 12th September 2025. Fujifilm X-T5, 90mm @ f2.
Photo of Sally Hossack performing at FIrebug, Leicester. 12th September 2025.
Sally Hossack at Firebug, 12th September 2025. Fujifilm X-T5, 90mm @ f2.

Supporting Independent Music – An Appeal

A little over 3 years ago, I had the good fortune to make contact with independent musician, JJ Lovegrove on what was then a service still called ‘Twitter’. I had a listen to a couple of tracks on Bandcamp and was instantly bowled over, investing in a CD of her then-current EP ‘Things Only THE daRk knows’ in short order.

First, I was captivated by Judi’s voice, then her music, and finally, and most thoroughly, her lyrics. In addition to the EP, I purchased Judi’s entire back catalogue on Bandcamp; this gave me access to  many excellent songs that didn’t feature on the EP.

Moving forward to 2023, I caught news of the impending arrival of Judi’s first album, “The Lines We Leave Behind”. I attended the online listening party before the album launch and was simply blown away by what I heard. No music had entranced me as thoroughly as this for a very long time. Elbow’s ‘Seldom Seen Kid’ was probably the previous occasion that an album had got under my skin and into my soul in quite the same way, but ‘The Lines We Leave Behind’ surpassed even that, by quite a way.

In the autumn of 2024, Judi produced her next EP, ‘Unravelled’, writing and recording the entire project in the space of a few weeks.

In addition to all of this, Judi produces some truly unique merchandise to accompany her music. A limited-edition CD of a live recording of ‘The Lines We Leave Behind’ (entitled ‘Behind The Lines We Leave’) was presented, along with a beautiful handcrafted booklet that tells the stories behind the songs, each copy of which was unique.

Currently, Judi is working on an EP ‘exploring D.H Lawrence, his words, his World & the ghosts we share’, with the Mercury Prize nominated Ed Harcourt in the producer’s chair. However, to do justice to this body of work, Judi wants to be able to book time in a proper studio, which is expensive.

Judi applied for funding for the recording, but wasn’t successful in securing that backing. About a week ago, she took the plunge and asked for help in funding the recording of the new EP. The fundraising has been going well, but any further contributions, no matter how small, would be greatly appreciated and could help give this EP the start in life it richly deserves.

You can read Judi’s own account of this fundraiser and a link to support the project via PayPal on her Substack here : https://substack.com/home/post/p-170265860 .

Judi is a tireless supporter of independent musicians who create music I love (in addition to her own), so I wanted to do my part to help her make this project a success.

Reflecting On The Past Year

Eilean Donan Castle at night.
Eilean Donan Castle at night.

It has been over a year since I wrote anything here. I’ve taken a bit of a break from blogging, but I have still been fairly active with my photography.

Why the break?

A couple of weeks after my previous post here, I suffered another bereavement. Much time was spent doing the Things That Need To Be Done. Death certificates, funeral arrangements, solicitors, house clearing…

And I seemed to jump straight from that to happier things – my sister’s wedding and my daughter’s graduation from University of Nottingham. Both happy events tinged with pangs of loss.

My sister and my new brother-in-law asked me to be their wedding photographer. It’s a role I’m always nervous of and I’ve only “officially” shot weddings on a handful of occasions. It was at a beautiful location in Scotland, Eilean Donan Castle. But a beautiful location held its photographic hazards. A big, high roofed, medieval great hall – stunning!

I knew I would need to use flash, but I didn’t get a chance to look at the room before the ceremony. I had a little “soft box” attachment for my flash but that caused too much light loss in this setting. The ceiling was a high timber raftered affair, not suitable for bouncing off. I just had to shoot with full on direct flash which led to lots of nasty glare and reflections. This in turn led to way too much work in post to try and remove or reduce the glare. Had I been able to spend a bit of time in the room before the ceremony I might have been able to find a happy balance of ISO and flash strength. However, a fantastic day.

JJ Lovegrove performing at the final Soundhive Social gig, Duffy's Bar, Leicester. 12th December 2024.
JJ Lovegrove performing at the final Soundhive Social gig, Duffy’s Bar, Leicester. 12th December 2024.

I’ve also done quite a bit in the way of “shooting musicians”. Quite a few gigs in small venues which I’ve enjoyed tremendously. I also did another promo shoot for Bellatones, I won’t share any of the photos from that shoot here as I view them as their property to share as they wish (or not).

Meanwhile I have been working on a photography project which I started thinking about very nearly a year ago. It will be a collection of ten photographs inspired by music from a favourite album. I have a few photos still to take, but I do have plans in place for each photo. I just need to get out and shoot them.

One of these photos involved three or four trips out to the planned location. I would get home, look at what I’d shot and then think of improvements and additional props that would add to the finished result. The residents of the little village I was shooting in must have been getting curious about why this strange bloke kept showing up with his camera and tripod and doing weird things on their main street. You’ll get to see just how weird this must have looked when I finally finish the project and publish the photos. I’m not going to publish any of the photos until I have them all “in the can” but then I will publish one at a time here.

View whilst ascending Moun t Blue Sky, Colorado, looking down towards Echo Lake.
View whilst ascending Moun t Blue Sky, Colorado, looking down towards Echo Lake.

I also enjoyed a trip to Colorado to visit my late wife’s family there. This would have been lovely and a great photo opportunity but for one thing. I had managed to totally evade Covid-19 for four and a half years. I had been ultra careful about it because I had been doing a lot of caring duties for my dad and I really didn’t want to pass anything like that on to him. However, passing through Heathrow and sitting on a direct flight to Denver finally defeated me. I started to feel rough after a couple of days and tested positive on the third day – not before I’d passed it on to the whole family over there. I had no clue I was ill until the evening of the second day and even then, I just thought I had a sore throat.

We did manage to extend the visit by an extra week, but I spent two whole weeks just sitting out on the porch, listening to music and watching the hummingbirds (which I spectacularly failed to photograph – they’re very small and very fast). I felt so very guilty about passing this nasty virus on to everybody over there. Lots of plans had to be cancelled but I was very lucky and did manage to get back up Mount Blue Sky (formerly Mount Evans) which was a real highlight of the trip for me. It’s a place my late wife loved and yeah, I’m sure you can imagine the importance to me of getting up there again.

Oak tree in January at Bradgate Park, Leicestershire.
Oak tree in January at Bradgate Park, Leicestershire.

I need to get out into nature more. I watch several photography channels on YouTube and I think the one I have gained most from is by Kim Grant. I love her mindful approach to photography, making sure that you take the time to properly engage with your surroundings when out with your camera. Her channel makes a refreshing change from all those channels that are more focussed on equipment or the technical aspects of photography.

So, I’m back and will be trying to embrace Kim’s approach more often. Hopefully it won’t be another year before I post here again!

Bella Tones

Ian Harmer of Bellatones picked out by spotlights.
Ian Harmer of Bellatones picked out by spotlights.

Bella tones : beautiful sounds! And Bellatones are a Leicester band I’ve been following and shooting for many years now. And they do indeed create beautiful sounds.

I went to a couple of their gigs in December, one at The Donkey on the 3rd and the other at Soundhouse on the 15th. I thought I’d share a few images from these gigs.

I only shot during the first of two sets at The Donkey as 1) I felt I already had plenty of photos and 2) I always feel like I’m getting in the way of the rest of the audience enjoying the show.

I was quite pleased with the shot at the top of this post of Ian Harmer picked out by small circles of light. He (as usual) was positioned right at the back left of the stage so it took a bit of careful aiming. I was quite surprised how well the autofocus managed to lock on to him given the low light and other members of the band moving around in front of him. I’ll share a colour version of this photo below, along with more from that night.

The multicoloured lights at these venues are one of the reasons I produce many of my live music photos in black and white, trying to get white balance right for somebody’s skin tones when the lights are shifting colour all the time is tricky. And then of course I do also just love black and white. As I’ve probably said several times here before : I love the timeless quality of black and white, I love the way it adds another layer of abstraction from reality and I also like the way it removes the distraction of colour. Anyway, on with the photos. There will be more from the Soundhouse gig further down this post.

All photos taken using my Fujifilm X-H1 and a variety of prime lenses (90mm f2, 35mm f2, 18mm f2) and also the 10-24mm zoom.

Ian Hamer of Bellatones on the keyboard at The Donkey, 3rd December 2023.
Ian Hamer of Bellatones on the keyboard at The Donkey, 3rd December 2023.
Bellatones playing at The Donkey, Leicester. 3rd December 2023.
Bellatones playing at The Donkey, Leicester. 3rd December 2023.
Olive (forground) and Sam of Bellatones at The Donkey, Leicester. 3rd December 2023.
Olive (foreground) and Sam of Bellatones at The Donkey, Leicester. 3rd December 2023.
Sam of Bellatones on flute at The Donkey, Leicester. 3rd December 2023.
Sam of Bellatones on flute at The Donkey, Leicester. 3rd December 2023.
Olive (foreground) and Paul of Bellatones playing at The Donkey, Leicester. 3rd December 2023.
Olive (foreground) and Paul of Bellatones playing at The Donkey, Leicester. 3rd December 2023.
Bellatones playing at The Donkey, Leicester. 3rd December 2023.
Bellatones playing at The Donkey, Leicester. 3rd December 2023. I went with a very extreme contrast rendering for this photo. New bass player Nigel “Waldo” Underwood is closest to the lens and was lurking in the shadows throughout the gig so I got around the side of the stage to try and capture something. The spotlights made the contrast high anyway so I just went with that look.

Having taken way too many photos at The Donkey on 3rd December I was back to see Bellatones play again at Soundhouse on 15th December. And I need to learn a lesson here. I said above “way too many photos” – there were hundreds. And it being a busy time of year all I’d really done was pick out half a dozen favourites from those in the two weeks before this next gig at Soundhouse.

When I shoot at a gig I’ll start off in “single shot” mode on the camera. One press of the shutter release equals one photo taken. As the gig progresses I’ll find myself switching into “continuous” shooting – keep the shutter release down and keep firing off photos at a rate of many per second. Why? Because with musicians moving around the stage you can find that you’ve slightly missed focus or slightly missed a good pose / expression / moment of action. Great, continuous shooting can help with that but it leaves me with quite a daunting number of photos to work through. I might only process a couple of dozen of those photos but I still have to look through all 400 to find the ones I want to process. I might have a burst of between 6 or 10 shots of pretty much the same scene and I might use one of them – or none. I need to be more disciplined and not take as many photos.

At the Soundhouse gig Not My Good Arm played before Bellatones so I got a few shots of them. There should have been another band playing too, Code Switch Theory, but sadly they had to pull out due to sickness and Not My Good Arm were down one member of the band for the same reason. This becomes significant later in the story, honest.

Not My Good Arm playing at Soundhouse, Leicester. 15th December 2023.
Not My Good Arm playing at Soundhouse, Leicester. 15th December 2023.
Not My Good Arm playing at Soundhouse, Leicester. 15th December 2023.
Not My Good Arm playing at Soundhouse, Leicester. 15th December 2023.
Not My Good Arm playing at Soundhouse, Leicester. 15th December 2023.
Not My Good Arm playing at Soundhouse, Leicester. 15th December 2023.

And then Bellatones came on and played a great set to finish off the evening. I was right down at the front and having to work hard to avoid the enthusiastic dancers getting into shot. This harks back to what I said earlier about trying to make sure I don’t get in the way of the rest of the audience enjoying themselves. These places do not have “press pits”.

I thoroughly enjoyed myself that night, took way too many photos (!) and heard some great music. However a couple of nights later I started to feel a cold coming on. I don’t remember anyone coughing or sneezing in my face but this is the most likely place that I will have picked up that virus. By the Monday morning I was feeling so awful, every part of my body was aching, every movement felt like I must be 100 years old. And this thing was persistent, it really knocked me out of action for a couple of weeks all through the Christmas and New Year period. I managed to get done what I had to do but it took me a couple of weeks to reach the point where I felt up to working through the photos from that night. It wasn’t Covid-19, I did test myself several times at various points during the illness – all negative. I did find myself reflecting on mask wearing. I was back to wearing one when I went into shops because I didn’t want to spread whatever nasty bug this was to anyone else. If only others felt the same way I might not have caught this.

Bellatones playing at Soundhouse, Leicester. 15th December 2023.
Bellatones playing at Soundhouse, Leicester. 15th December 2023.
Paul of Bellatones playing at Soundhouse, Leicester. 15th December 2023.
Paul of Bellatones playing at Soundhouse, Leicester. 15th December 2023.
Bellatones playing at Soundhouse, Leicester. 15th December 2023.
Bellatones playing at Soundhouse, Leicester. 15th December 2023.
Sam of Bellatones on flute, Soundhouse, Leicester. 15th December 2023.
Sam of Bellatones on flute, Soundhouse, Leicester. 15th December 2023.

Some Days…

View looking towards Old John at Bradgate Park, Leicestershire.
View looking towards Old John at Bradgate Park, Leicestershire.

… Just don’t go according to plan.

I headed out to Bradgate Park in Leicestershire on Monday afternoon. It had been too long since I’d visited and I decided to take my tripod and have a stab at a panorama and maybe some focus stacked landscape shots.

It was a Monday afternoon in the summer holidays so I was expecting the place to be busy. And it was. The overflow car parks were in operation but I managed to get a spot quite near the entrance gate on the Newtown Linford car park. However, with a place this size (850 acres) I normally manage to find some isolation no matter how busy it is. The main tip here is just to set off away from the tarmac road which leads through the park to avoid the thronging crowds. So that’s what I did.

I was lugging way too much kit around with me. With my camera bag, tripod and big water bottle it came to over 10KG. I’ve written before about how liberated I feel when I shoot light. This was the opposite experience. Added to the weight I had the inconvenience of not having a way to strap my tripod to my camera bag so I was hand carrying that everywhere. I ended up with a rather sore thumb from the rubbing of the tripod leg I was gripping.

I’ve been watching way too many landscape photography vlogs on YouTube so I set out with that kind of shooting in mind. Slow, deliberate, planned. I had a composition in mind, something shot from the next hill to the east of the Old John tower, looking back at the landmark and using some of the rocky outcrops as a foreground.

(A few of the vlog channels I’ve been enjoying lately just in the order they appear in my subscription list : Thomas Heaton, Ian Worth, Henry Turner, Kim Grant

Camera setup to shoot at Beadgate Park, Leicestershire.
Camera ready to shoot at Bradgate Park, Leicestershire (snapped with my phone).

The photo at the top of this post was taken just a little further to the left of where I took the snap above. I shot it as a stitched panorama at the 24mm end of my 10-24mm zoom.

I think watching all those vlogs had me in a frame of mind to be experimental. Yes, I’d shot panoramas before going back to film days (3 or 4 frames of film to end up with one image was quite costly back then) but I also decided to try composing using the screen on the back of my camera rather than the viewfinder. I never normally do this but with my camera secured on a tripod then why not? It might help quite a bit when the camera is in a low position and looking through the viewfinder will mean getting into an uncomfortable position, yes? Well, because in bright light it can be difficult to see the image on the LCD screen, that’s why not. However, I stuck with it – I was having an afternoon of experimentation after all. And I can say right now, I’ll be going back to the viewfinder 99% of the time. 

So I shot my panorama and tried a few focus stacked images – focussing on the rock formation as my foreground and then on the hill in the background with a view to merging the exposures in Photoshop to have a sharp image from front to back. I’m not bothering to share the results here, suffice it to say that I wasn’t really happy with them.

The light was nothing special on Monday afternoon so after a while I decided to just sit on top of this hill for a while and take in the views. I’m a Leicestershire native and have been visiting Bradgate Park for longer than I can remember and yet, having felt that I’d explored the park thoroughly over the years, I realised that I’d never been up this particular hill before. So I sat there and vaped for a while, enjoying the peace and quiet and staring down towards Bradgate House where I could see all the crowds of people walking along the road like ants. 

On my way back to the car park I decided to head back down to that road near the ruins of the house, even though that meant picking my way through the crowds. I managed to nab a couple of reasonable (and obligatory) deer shots as I went and then spotted a family of swans near one of the waterfalls on the River Lin, momentarily invaded by a crow. These were shot hand held with my 100-400mm lens. 

The results from the afternoon were as follows :-

  • Worn out from lugging all that kit around. On the up side, probably good exercise!
  • A sore thumb from gripping that tripod all the time.
  • A sense of frustration at not really having achieved what I set out to do.
  • A determination to carry less equipment with me. Yes, having “everything” there can open up opportunities – but it can also remove them because you’re spending so long faffing about with bits of kit.
  • Realisation that I could have shot that panorama hand held and likely got  as good if not better results.
  • Thoroughly enjoyed myself despite my perceived failures. It was great just to get out and see what I saw.

 

Pirates at The Donkey

Moody, high contrast black and white photo of Rob Jarram playing bass guitar for Lodestone Pirates at The Donkey, Leicester 28th July 2023.
Rob Jarram playing bass guitar for Lodestone Pirates at The Donkey, Leicester 28th July 2023.

On the evening of Friday 28th July 2023 I attended the debut gig of Lodestone Pirates at The Donkey on Welford Road, Leicester. I have been a friend of drummer David “Max” Millgate for more years than I care to remember so I wanted to be there to support him and his new band. I said I’d bring a camera along if that was ok with the band.

The band’s tag line on Facebook says “4 piece band covering everything from classic to modern rock… and doing it LOUDLY!!” and they’re not wrong. 

They played two 45 minute sets and they rocked! You wouldn’t have guessed that this was their first gig or that they’d only been together as a group of musicians for a few months.

I only took photos during the first set as by then I felt I had plenty to work with and I’m also conscious of getting in the way of other audience members and blocking people’s view.

Black and white photo of David Millgate twirling a drumstick.
David Millgate twirling a drumstick.

I was pleased to get the above photo of Dave giving it a twirl of the drumstick. I had been hanging around the side of the stage hoping to pick up a few photos of drumstick blur. I had to reduce my shutter speed to 1/15th to get this degree of blurring. I was leaning against a speaker stack but was shooting handheld with a 90mm lens at this point so I was grateful for the I.B.I.S provided by the Fuji X-H1. Dave’s hand is obscuring his face but at least I caught the moment.

As usual I was shooting in raw to give me maximum flexibility during post-processing. I did process a few as colour renditions but moody, high contrast black and white is my “thing” and tends to be what I have in mind whilst shooting.

I was fairly happy with my results. A couple more photos from the night can be found below.

Looking forward to future gigs from this four piece.

Black and white photo of Tom Webster on guitar and vocals.
Tom Webster on guitar and vocals.
Photo of Phil Jackson playing guitar for Lodestone Pirates.
Phil Jackson playing guitar for Lodestone Pirates.

A Bad Case of G.A.S.

It happens now and again. I get G.A.S. – Gear Acquisition Syndrome. I already have too many camera bodies, I already have too many lenses and yet something appears on the market which I lust after.

Right now that something is the Fujifilm X-T5

But also right now, I am not working, haven’t been working for over a year. So, no, I really can’t just go out and treat myself. I am looking for work but meanwhile I’m living off my savings (which I’m fortunate to have some of) and I’m not claiming any state benefits so basically zero income (other than a very small amount of interest on those savings). No, I’m not in a position to scratch that itch.

So how do I quell the G.A.S.? Other than constantly reminding myself of the above inconvenient fact regarding lack of an income?

Well, in the case of the X-T5 Fuji have moved up to a 40 megapixel sensor. Only a few of my lenses would be capable of resolving the full resolution of that sensor. I’m sure I’d still get improved results from all of my lenses but it’s a niggle. Maybe only one for “pixel peepers” but try to understand, this is ammunition I’m using to convince myself I’m fine with my old 24 megapixel X-H1 (and older cameras too).

40 megapixels would be handy for producing large prints, A3 and bigger. But although I have an A3 capable printer then I’ve not actually printed anything larger than A4 with it as yet.

So, what is the best way of getting over G.A.S. for me? Simple : get out and shoot with the kit I already have! It all works beautifully and getting a new camera or a new lens will not make me a better photographer. I recently wrote about the pleasure I had in getting out with my X100T again. 16 megapixels, fixed 23mm prime lens – and a complete joy to shoot with.

So that’s what I’ve been doing. Enjoying the cameras and lenses I already have and holding that G.A.S. in check, telling myself that when I have a job and a regular income again, then I can consider it.

Daisy at Leicester Botanic Gardens.
Daisy at Leicester Botanic Gardens. Fujifilm X-H1, 56mm @ f1.2.
Abstract sculpture by the fish pond at Leicester Botanic Gardens.
Abstract sculpture by the fish pond at Leicester Botanic Gardens. Fujifilm X-H1 35mm @ f1.4.
The Braunston-in-Rutland Goddess sculpture.
The Braunston-in-Rutland Goddess sculpture. Fujifilm X-H1, 35mm @ f8.
Light through a window at Canons Ashby.
Light through a window at Canons Ashby. Fujifilm X100T.
Rocking horse at Canon's Ashby.
Rocking horse at Canon’s Ashby. Fujifilm X100T.
Three panel window in room above the porch at St. Andrews Church, Stoke Dry, Rutland.
Three panel window in room above the porch at St. Andrews Church, Stoke Dry, Rutland. Fujifilm X-H1, 18mm @f2.8.
Alabaster table tomb at church of St. Andrew, Stoke Dry, Rutland.
Alabaster table tomb at church of St. Andrew, Stoke Dry, Rutland. Fujifilm X-H1, 18mm @f2.

 

A Return to “That Angel”

Angel statue at Leicester's Welford Road Cemetery.
The angel statue at Welford Road Cemetery that has been drawing me back for years. Fujifilm X-H1 and 56mm f1.2 .

It had been a few years since I was last at Leicester’s Welford Road Cemetery, it would certainly have been before the first Covid-19 lockdown in the UK. The place is only about 2 miles from home but I just hadn’t been feeling like visiting. I had suffered multiple bereavements in 2020 so maybe part of it was feeling like I’d had enough of funereal stuff for a while. But also it was a place I’d visited quite often anyway as it was close to home.

I headed down there on Saturday morning and took my Fujifilm X-H1 and the full kit of lenses because I just “grabbed the kit bag”. I ended up only using one lens (how often does that happen?), the 56mm f1.2 .

It’s a lens which is ideal for portrait photography. 56mm on the cropped X series sensors works out to 84mm equivalent field of view, great for some head and shoulders shots and the f1.2 aperture can produce some excellent subject separation.

I only stayed for a little while, stuck around my favourite area and only shot my favourite angel and one other. I need to go back later in the day when the sun will be shining more towards her face.

A few more shots from Saturday morning below. I wasn’t feeling too inspired to experiment, too much on my mind maybe. Everything processed using a mixture of Adobe Lightroom, DXO Photolab and DXO Nik Collection.

Angel statue at Leicester's Welford Road Cemetery, surrounded by wild flowers.
“That Angel” with surrounding wild flowers. These old cemeteries can be a haven for wildlife. Shot at f1.2 to increase background blur. I deliberately underexposed a bit, it was a very bright morning and I wanted a slightly darker feel – it helps to bring out the colours of the flowers too.
Angel statue at Leicester's Welford Road Cemetery.
I remember when she still had that finger, lost it a few years ago now.
Angel statue at Leicester's Welford Road Cemetery.
Angel statue at Leicester’s Welford Road Cemetery.
Angel statue at Leicester's Welford Road Cemetery.
The only other statue I shot on Saturday. I was seeing the tree in the background as a dark halo around her head.

How Much?!?

Fujifilm X100 and X100T sitting side by side on a map.
Fujifilm X100 and X100T.

In my last post I wrote about my joy of shooting with my Fujifilm X100T. I have since then been out and about using it a bit more and appreciating this quirky little beast for what it is – a highly capable compact camera.

Earlier this evening I was just checking over some camera settings and noticed that there was a (minor) firmware update from 8 years ago which I hadn’t applied. Whilst noodling around online I thought I’d check out pricing for the current latest iteration of this camera, the X100V. Not that I’m in the market for a replacement, I was just curious.

WEX were showing the X100V at £1,349 which I believe is around the RRP, but out of stock. So I took a look on Amazon and very nearly choked on my tea when I saw it listed at £4,510. 

Amazon UK listing for X100V
Amazon UK listing for X100V

£4,510 for an X100V?

You could buy the medium format (Fuji are now calling it “large format”) Fuji GFX 100S for £4,799. Ok, you’d need to add a lens to that… but seriously?

Apparently the X100V has been trending on TikTok after somebody raved about it on that platform. Just goes to show what a powerful platform that is, not that I’d want to go near it. 

The X100V is a lovely little camera and it has a few features I would appreciate but you would have to have way more money than sense to pay £4,500 for one.

Come to that my X100T (two generations older) is also a lovely little camera and I’ll continue to shoot with it and enjoy it. Hopefully I’ll have more photos taken with it to share here soon.