It has been nearly three years since my last update. There are lots of reasons for my absence which I won’t go into here. However, I’m back to wanting to be creative again and share my experiences so here I am.
Of course, I’ve still been taking photographs in the time since I last posted, it’s an important part of who I am. The Covid pandemic has certainly reduced my photographic opportunities over the last year but my camera has been with me on the all too rare occasions I’ve been able to get out. I’ve barely been outside of Leicestershire for a year now. There was one day trip to the Peak District in the summer of 2020, a short walk along the path up Kinder Scout next to the Grinds Brook with my daughter. I look forward to when such things are possible once again.
The photo I’ve selected for this post was shot on my last “proper” walkabout before England entered “Lockdown 3” at the start of January 2021. My daughter and I had been taking short trips into the local countryside when Covid restrictions permitted. One of our favourite places to visit is Medbourne in the south-eastern part of the county. It’s a lovely village with a stream running through it, a medieval packhorse bridge and a ford crossing the stream near the church. On this particular day, we spotted a robin hopping from bush to bird feeder and back again in a garden area down near The Nevill Arms pub.
Shot using my Canon 6D and 70-300ml lens.
I’ll be back with another post describing a project I have been able to work on from home, hopefully in the next few days.
I’m very aware that it has been a couple of months since I posted anything here. Yes, it has been a busy couple of months and thankfully some of that has been photography busy.
This photo of Rick and Warren was taken during the interval at a charity gig I recently attended at The Donkey on Welford Road, Leicester. I was there to support the good cause of the night and also to support my friends on stage : Bellatones.
I still have loads of photos to work my way through from that night which was over a week ago now but this one stood out from the pack for me when I was browsing through to see what I had captured that night.
The vast majority of my photos were of the musicians on stage, that was what I had intended to shoot after all. But at the interval I got chatting outside with Warren (the landlord at The Donkey) and Rick and his good lady, Caroline. It was Caroline who told me that it was “Rick with a silent P” so I do hope he doesn’t mind me using that as the title of this post.
We had a bit of friendly banter during which time Rick, Warren and Caroline got talking about my photography and I snapped one of Rick and Warren together at their request.
It can often be tricky to judge the technical qualities of a photo from the tiny screen on the back of a camera but this one looked pretty good and after showing it to the subjects I ended up being persuaded to take quite a few more of Rick, Warren, Caroline and various of their friends.
It was dark out there.
I had been shooting the acts on stage at ISO 3200 but for these shots I was nabbing outside the venue I had to crank it up a notch to ISO 6400. I’ve always been wary of shooting at high ISO with any camera I’ve owned but I tend to think that it’s better to get something that may have some noise but is free of camera shake so these days I tend to just go with the flow and pump up that ISO as necessary.
And I was not disappointed.
Shot at 1/125, f2 on the X-Pro2 with the excellent Fujinon 90mm lens at ISO 6400. I was even able to focus using auto-focus without any trouble. The only lighting was provided by a string of light bulbs set along the top of the wall about 10 to 15 feet to my left as I shot.
Would this photo have been any better if I’d used my so called “full frame” EOS-6D? I doubt it. I don’t like the term “full frame”. If you mean 35mm sensor then say 35mm sensor. “Full frame” is meaningless – what is full? 2.25 inch square is bigger than a 35mm frame size so how can 35mm be “full”? How about 4×5 inch sheet film? How about 8×10 inch? That makes 135 film (35mm) look tiny. Where do you stop? (I tend to agree with Zak Arias’ point of view on this as expressed wonderfully here).
The best camera is the one you have with you – whether it has a 35mm sensor, an APS-C sensor, Micro Four Thirds or a phone’s camera. You just have to get out there and shoot with it.
This morning the sun was shining and as I ate my breakfast it looked like a great day to get out and take some photos. However I was suffering from my usual problem – not knowing where to go.
I had just about made up my mind to head into town and wander around aimlessly for a while when I got an SMS from my sister and during the exchange of messages she suggested I head out to Old John, a very well known Leicestershire landmark situated in Bradgate Park.
By the time I actually got in the car the clouds had blanketed just about all of the sky. But this was fine, I had my tripod and my 10 stop ND filter with me (Cokin Nuances) so I decided during the drive that I would try taking some long exposures.
As I set up my tripod for the first time I was soon regretting not having thought to bring gloves with me. It wasn’t long before I was fumbling with the controls of the camera and shoving my hands in my pockets did little to remedy this.
I stayed around the vicinity of the Old John tower for a couple of hours getting steadily more refrigerated before deciding that I’d done enough and that what I really needed was a huge mug of tea.
As I sat processing my photos in Lightroom and sipping my tea at home, I discovered that the sensors of both my X-Pro2 and my XT-1 really could do with a very thorough clean. Dust spots show up way more at smaller apertures and I tend to use smaller apertures when I’m shooting long exposures.
It’s maybe the one downside of interchangeable lens mirrorless cameras that I can think of – more sensor dust. There’s no mirror so there’s nothing to stop dust falling right onto your sensor. I had given both bodies a good dust out using a rocket blower before heading out. Maybe it’s time I dug out the swabs I bought but have never used?
This is the reason I have used my X100T for most of my Fujifilm based long exposure work in the past. The X100 range are mirrorless but the lens is fixed so there’s no lens swapping opportunity for dust to get inside. But sometimes you just want to shoot some long exposures at different focal lengths so it’s time to suck up the dust.
Just over a year ago I wrote about using a then new piece of software called Iridient X-Transformer which dramatically improved my results when processing photos from my Fujifilm X System cameras.
Back in January 2017 Iridient X-Transformer was in beta testing but the results were impressive enough for me to purchase the software right away.
Since then I have been using X-Transformer on a photo by photo basis where I think it will be of most benefit to the image.
I’m now beginning to think that I should just run all my Fuji photos through X-Transformer regardless. Why? Have a look at the screen shot below. This is one small section of a photo I took in York back in November, looking along Micklegate from Micklegate Bar. It’s not a great photo, I didn’t bother to process it at the time and I’m just using it as an example here. Click on it to see it at 100% or I doubt you’ll be able to see what I’m talking about and particularly look at the lettering on the red “shop to let” sign, but also at the brickwork and the little Christmas tree.
Which looks better / sharper / clearer / better defined to you? The image on the left or the image on the right?
To my eyes the version on the left is the clear (and clearer!) winner. No surprise then that the version on the left is the .dng file processed through X-Transformer whereas the version on the right is the default .raf imported by Lightroom.
I was originally planning to run all of my Fuji photos through X-Transformer as I stated in that original blog post but then I noticed how much more disk space the .dng file took up compared with the .raf file. In the case of the example shown the .raf file is 24.4MB, the .dng is 66.7MB. This photo was shot using my X-Pro2 and I use a (losslessly) compressed raw format so the .dng version is always going to be much larger as that compression is removed during the process of converting to .dng.
I am now thinking that it would better to accept the greater file size and just process everything I shoot on a Fuji camera (99% of my photography) through X-Transformer. I likely wouldn’t have used it to process this photo as I wouldn’t have viewed it as containing lots of intricate details – just a normal (and rather dull and uninteresting) street scene.
The difference is clear so I think it’s time for another change to my workflow. Process everything through X-Transformer before importing into Lightroom and I might as well stop using that compressed Fuji raw format on my X-Pro2 as there will be no benefit if converting to .dng anyway. Yes, the photos will take up more space but that might be a good incentive for me to be more ruthless with my “pruning” during the editing process.
I dont think this is “pixel peeping”. I think that Lightroom’s de-mosaicing of Fuji raw images is substandard and I’m not getting the full benefit of the image quality my Fuji cameras are capable of providing.
Adobe should be doing way better than this. I pay a subscription to use Lightroom, it’s not “cheap”. X-Transformer currently costs just £23.75 and is produced by a small, independent software developer. I do wish they produced their full Iridient Developer package for Windows, I’d be highly likely to switch from Lightroom.
I have considered and tried using Capture One and again the results are way better than Lightroom but at the moment I would rather not spend hundreds of pounds on new software and I don’t know how many hours learning to use it. I know Lightroom pretty well and get along with it fine, if I pre-process my photos with X-Transformer I can then just carry on as normal with Lightroom. I just wish to heck that Adobe would do something about its treatment of Fuji files. Good job Iridient are there to step in where Adobe fall short.
There were a few more photos I wanted to share from my amble around town on Sunday.
The first, above, was taken on Northampton Street looking towards Granby Street. The clock from which the photo gets its title belongs to the barber shop that my dad used to drag me into when I was a lad, not quite literally but it would be true to say that I didn’t like getting my hair cut. As I got older I kept going to the same place. It used to be “Shilton’s” and I did ask the obvious question about thirty years ago but no, no relation to the one time Leicester City and England goal keeper. I liked the conflict of the word “trim” with the state of the clock and the building at the end of the street which also looks rather the worse for wear.
I’ve only been inside The Curve twice in my life to date. Once to see “Of Mice And Men” and again to see “The Importance of Being Earnest”. I should check their schedules more frequently than I do but I’m often put off by the number of musicals they put on here. I’m “not a fan” of musicals. I love music. I love drama. The musical just seems like the lowest form of both to me. Anyway, I was passing by during my quest for street art and thought I’d snap a photo. The building to the right with the dome above the entrance and the tower block looming behind is called Alexandra House and features some rather elaborate carvings, particularly around the entrance.
Built in 1888, I don’t know anything of the history of these buildings. They are now shops and offices but the name makes me think of financial institutions. I like Victorian architecture and this is a fine example right next door to the Curve Theatre. Something tells me that the theatre might not look so grand after it has stood for 130 years.
The Black Boy stands (just!) on the corner of Albion Street and Chatham Street. I’ve never been inside, my memories of the place go back to the 1970s when I was a lad and my dad worked at the other end of Albion Street (more of which later). Sometimes my sister and I would be driven out by our aunt to collect my dad from work on a Saturday evening and we would park up along Albion Street to wait for him to leave work. The Black Boy would be lit up at the end of the road with people heading in there after work or just starting their Saturday night out on the tiles. I know somebody had been wanting to demolish the place to make way for yet more student flats but I think the planning application was turned down. Quite what will happen to this lovely old building I can’t guess. It would be great to see it restored to its former glory and used as a pub once again, but in the current economic climate and with pubs closing down in droves I sadly doubt very much that will happen.
Young’s Cameras was where my dad worked for most of his working life and stands at the corner of Belvoir Street and Albion Street, the opposite end of Albion Street to the Black Boy pub above. Young’s had started off as a chemist’s store in the late 18th Century and sadly closed down back in 2010. Eight years later the shop still stands empty, a sad testament to the “centre of gravity” in Leicester having shifted hugely towards the Highcross Shopping Centre across town and the fate of many bricks and mortar retailers as online shopping took trade away. As a kid back in the 70s I would occasionally have the treat of going into work with my dad when school was closed for some reason. I was trusted to be down in the basement alone, surrounded by heaven knows how many thousands of pounds worth of stock and deadly chemicals. The then owner, Mr Young himself, was a kindly man who I remember with great fondness. He would often come down into the basement to bring me a cake from the shop around the corner, a photo book I could have or maybe there was a little “job” I could do to “help out” (and keep me amused and out of mischief). I’m sure it wouldn’t be allowed today.
Today I took a stroll around Leicester with my X100T for two or three hours. The light was flat and dull so I decided that I would go in search of some colour in the form of street art.
I walk by a few eye catching examples on my way home from work each night so I knew which part of town I was aiming for – the “Cultural Quarter” near the Phoenix Arts Centre and The Curve Theatre. However I decided to park up near Victoria Park which is probably a mile or so away from my target area. That way I could wander down New Walk (a Georgian pedestrian path and much favoured location for the offices of solicitors and financial advisors) and nab photos of anything else that took my fancy on the way (and also I knew that particular car park is free to use on Sundays).
When daylight hours start to get a bit longer I can see myself walking in and out from home but that would add another couple of hours onto the round trip. The light was gloomy enough as it was today without the sun setting on me whilst I was out.
Along New Walk I had to pass New Walk Museum which currently has an Anne Frank exhibition running so I decided on the spur of the moment to pop inside and take a look (very well worth the visit). Last year they installed a new curved stairway leading up to the first floor of the museum so I stopped to grab a quick snap of that. Believe it or not even looking over the side to take this photo triggered my height issues so I didn’t really explore many angles.
I then continued on to Leicester’s Cultural Quarter and I wasn’t disappointed by the street art to be found. I knew of a few pieces already but there was more hidden away within car parks and around corners I wouldn’t have thought to turn unless I was specifically searching. A few of my favourites are to be found below along with the photo which I used at the top of this post. Many of these works (if not all) were painted in May of 2017 during a “Bring The Paint” festival.
I really do like having all this colour around. British streets are often so drab and dull when compared to the colourful scenes to be found elsewhere in Europe. A bit of colour like this really can give a place a lift and put a smile on your face. Well, it puts one on my face anyway.
Following this I started to head back to where I was parked and as I approached the car park I remembered that I had long intended to take a look at Evington Footway, a Victorian pedestrian pathway near to where I was parked. It’s dingy and feels rather like it would be a prime place to get mugged to be quite honest, although I spotted some CCTV cameras and maybe it would feel better on a bright sunny day. The thing is I like dark, narrow alleys, aesthetically speaking and of course those are the very places where Nefarious Acts take place. I have to say that as I walked down this footpath and met people coming the other way I felt that people might be expecting trouble from me rather than vice versa, being the rather large chap that I am.
To sum up I had a good afternoon photo walk without having to go far from home. The experience was enhanced by “travelling light”. The Fujifilm X100T is simply my favourite camera ever. Small, light, discrete and very capable. I’ve used it on several city breaks because I don’t have to bother lugging around several lenses. A 35mm equivalent prime f2 lens is ideal for city / street work and it can be simply stuffed into a general purpose shoulder bag or even a coat pocket when not in use. I also enjoy using Fuji’s hybrid viewfinders, switching from optical to electronic and back again depending upon the circumstances. I love getting a live exposure preview right in the viewfinder including whichever film simulation mode I have selected. Today I had this set to black and white with a red filter as I knew that anything other than the street art I would most likely be shooing in black and white anyway due to the general lack of light. Even though I was only shooting in raw mode (so full colour capture) the camera still honours the black and white “film” selection in the viewfinder which can be helpful.
Following my previous post here I realised that I hadn’t posted anything since September and that towards the end of the post I said that I needed to get out and shoot more.
It’s not that I haven’t been getting out to shoot at all, more that I’ve not been particularly excited by my results. Much of the time it’s the same old places that I’ve visited how many times before and I’m finding nothing new to see, not feeling inspired.
Also maybe I just need to blog about my photography more, even if I’m not doing anything fantastic.
I’ve been a paying member of Flickr for a very long time now and I barely use it these days. Every now and again I realise that I’ve not uploaded any photos there for a while so I add a few but I increasingly wonder why. I find it’s rare that I obtain any kind of useful feedback there. Maybe it would be better to put extra effort into my blogging instead? As a case in point I recently once again had a photo featured in “Explore” and the views and favourites went ballistic on that photo for a couple of days. I really don’t know why. It was one of my regular shots of my favourite angel at Welford Road Cemetery. I’ve taken an awful lot of very similar shots and I would also say an awful lot of much better shots, so why this one? It really wasn’t anything special (below).
I did enjoy a few days in York during November and in particular was drawn to shooting the narrow lanes and alleys after dark. I felt these scenes were quite striking when the cobbles were wet, reflecting more light into the street. I think I need to do more night time street photography.
I also spent quite a bit of time messing around with long exposures during the autumn but I’ve yet to shoot anything that I’m particularly pleased with. I think I still have a lot to learn about which scenes make the most compelling long exposures.
After not shooting with my Canon kit for a good 18 months to two years I have tried to take it out and about with me recently. On the whole I found it a reminder of why I’d not really used it for so long. Yes, it’s bigger and heavier than my Fuji kit but there are other aspects which make me prefer shooting with the Fuji bodies. Shooting with a DSLR again I found that I really missed the “live preview” of the Fuji viewfinder. Yes, I know I could pop the DSLR into “live view” but I generally don’t like composing a photo on the screen (sometimes I will use that method if the camera is on a tripod, but never hand held). Having a live view of the final exposure is something I’ve got very used to and I think it’s particularly useful when shooting under more tricky lighting conditions.
And that is about where I am with my photography as we head into 2018. I want to play more with long exposures and I want to spend more time shooting with a single body and lens. During my recent trip to York the Fujinon 18mm was pretty well a permanent feature on my X-Pro2 and I think I enjoyed myself all the more as I wasn’t always thinking about which lens to use.
I’ve recently invested in some new computer kit and changed the way I work with my photos in Adobe Lightroom.
I built myself a new tower PC a couple of years ago and that has been my “digital darkroom” ever since. It’s powerful enough for my needs with an i7 processor, a reasonable wedge of memory and fast PCIe connected SSD. However using it means shutting myself away in my “den”. Sometimes that’s fine, other times I’d like to be able to work in the living room, at the kitchen table or for that matter in a hotel room.
I did have a laptop with Lightroom installed on it but it was a separate catalog. If I imported my photos on the laptop to work on them I would then later export those photos and import them back to my main catalog on the desktop machine. This worked, but it was a more laborious process than I wanted so I didn’t work that way very often.
I explored the idea of storing my Lightroom catalog and more recent photos on a USB hard disk. This worked pretty well. I had for a long time held archives of photos from previous years on a NAS so that they could be accessed by multiple devices, albeit rather more slowly than anything which was held on local storage. With my catalog and recent photos on an external drive I could now swap between the desktop machine and the laptop and just carry on working from where I was before – same photos, same edits, same presets available. As long as I’m at home then my full archive of photos is available on the NAS device. If I’m away from home, working on the laptop then all I’ll have is my recent photos.
Although this solution worked it could feel a bit sluggish. This was only to be expected with storing the Lightroom catalog files and the photos on a USB hard drive. Transfer speeds of around 100MB per second don’t match up to the sort of speeds obtained from an internal PCIe attached SSD. However with an external USB SSD that 100MB per second could be increased to something more like 500MB per second and with Christmas coming around I had gift money to spend so I invested in a Samsung T5 250GB external SSD. I had to further reduce the number of photos I kept on this drive so that now everything but the last 3 or 4 months worth of shooting is on the NAS but the extra speed when working with current photos was worth it.
In addition to being roughly five times faster, the Samsung T5 is much smaller and lighter than a conventional USB hard drive. This coupled with a 13.3″ laptop and my Fujifilm X series cameras makes for a really very small and light travelling kit compared with what I would have had to take with me previously.
Due to the obviously very portable nature of a laptop and small, light external storage I feel that encryption is very important. If I lose the laptop or it’s stolen then I want to make sure that the most important asset, the data, is protected. The SSD internal to the laptop is encrypted using BitLocker provided by Windows 10 Pro and the external T5 SSD comes with its own encryption solution. Of course I also protect my data by having multiple backups with at least one copy being held off-site at all times.
All of this is great and it enables me to work with my photos the way I want to but now of course I need to get out with a camera and take more photos! I don’t really “do” New Year resolutions but if I did they would have to include getting out more, taking more photos and blogging more frequently.
Corn. Mile after mile of corn. I had been to The Cornhusker State previously but it had been 23 years before and at an earlier time in the year when the corn was less apparent in the fields.
After our concerns about “carmageddon” on the roads due to crazy eclipse crowds we actually had a very smooth journey from Thornton, Colorado to Hastings, Nebraska. We had a hotel room booked for the night before the eclipse and the plan was then to continue on the little way to the town of Aurora next day to watch the action – or if carmageddon occurred we would most likely stay put at Hastings.
After the dry air of Colorado the humidity in Hastings came as a bit of a shock and the skies were almost totally clear – a good omen for the following day. We had most of a day to kill so we looked around the campus of Hastings College where my wife had studied back in the day. I had visited here myself on one occasion and that was during my previous visit to Nebraska all those years before. It was amazing how clearly I remembered the place. We also had a wander around the town and the market stalls which had been put up as part of “SolFest“, the town’s celebration of the solar eclipse. It was a great atmosphere and expectations were running high for the following day.
August 21st dawned, the day of the eclipse. There was quite a lot of cloud about. We had two choices – drive around trying to find clear skies or head to Aurora as we had originally intended – and just hope we would be lucky. You could spend all day driving around trying to find the perfect conditions and still be defeated by the weather and my wife had friends (Dan and Tracy) who were running the Aurora eclipse viewing event – they were staying put and hoping for the best so that was what we did too.
The event had been organised at The Leadership Center, Aurora. Some folks had camped overnight but for those driving in on the day a free shuttle-bus service had been arranged, running from a nearby ball park where we left the car. Arriving at the Leadership Center we chose our spot in the shade of a couple of trees and I got my camera ready. I have to say I was very impressed with the event planning. Dan was providing a commentary during key phases of the eclipse but not so much that it detracted. Food and drink was available to buy at a very reasonable price with the proceeds making a contribution to the funding of the event. There was no charge for use of the shuttle bus and no charge for entrance to the event.
We still had concerns about the clouds. At first we had a clear view of the sun but that was something which was constantly changing, we would just have to hope. It seemed like we had been there for quite a while before I noticed the first sliver of the sun had been eaten away – first contact. From then on I was taking shots at regular intervals. I was bracketing my exposures to try and make sure I got at least something. The filter was working well and I was getting a good view of the ever diminishing solar disc but the clouds were quite variable and although most of the time we could make out the sun behind them I was having to adjust my exposures quite dramatically to compensate. It was difficult to notice the light levels dropping around us, it was so gradual. At one point I noticed that the cicadas had started chirruping as they do in the evening, a sure sign it was getting darker.
We were very lucky. Just moments before totality was due the clouds cleared enough for us to get a really good view. It was amazing just how bright it was right up until totality and then suddenly the light level fell to something similar to twilight as a “black hole” appeared where the sun used to be. I really don’t think any words, photographs or video can possibly do justice to the beauty and other-worldliness of witnessing a total eclipse. I felt like I was in a science fiction movie or a surrealist painting. We were in the shadow of the moon, the sun was a black hole above us with a rim of glowing plasma, stars and planets were visible in the sky during daytime and there was a 360 degree sunset extending all around us.
During totality there is no need for protective glasses or for my solar filter over the lens. I slid it off and carried on shooting whilst also trying to take in every moment of the experience.
It was true that no photo could adequately convey what it felt like but I had come all this way and I was prepared the best I could be so I fired away with my Fuji X-T1 and did the best I could. Yes, I needed a longer lens. A much longer lens. In hindsight maybe I would have been a little better off taking my EOS 7D with me just for the eclipse. That would have given me an effective 460mm (ish) instead of 300mm. What I really needed was a telescope. But I had what I had in terms of photographic kit, that decision had been made weeks before we left England and the most important thing was to experience the eclipse first hand, try to remember everything about it as clearly as I could.
I’m delighted that I was able to capture the photos below, inadequate as they are, I had to crop quite heavily due to my short focal length (click to see them larger). They are part of my memory of a unique event. It would be wonderful if I got the chance to see another total solar eclipse but I feel so fortunate to have witnessed one during my life and to have managed to capture anything at all on camera is a bonus. I was delighted that my DIY solar filter worked so well, much better than I ever expected it to.
Towards the end of 2016 we received an invitation to attend the 50th wedding anniversary celebrations of my parents-in-law over in Colorado during August 2017. Nine days after the anniversary party a total solar eclipse was due to sweep over the USA from coast to coast with the path of totality passing within a “reachable” distance of my in-law’s house in Thornton, Colorado. My wife studied in Hastings, Nebraska and still has friends over there, two of whom were involved in organising an eclipse viewing event in Aurora, Nebraska. So back in December of 2016 plans were hatched and a hotel room was booked in Hastings (a short drive from Aurora) for the night before the eclipse.
I had seen partial eclipses before but I had never been lucky enough to see a total eclipse. Back in 1999 there had been a total eclipse which passed over SW England but at the time we were on the Isle of Lewis in NW Scotland and got to watch that one as a partial eclipse from Callanish stone circle. That was an amazing experience but it wasn’t a totality.
If I was going to find myself in the path of totality then I was sure as heck going to do what I could to try and take some photos of it but I didn’t want to spend a fortune in the process. I’ve already spent quite enough money on photographic equipment over the years and I didn’t want to spend loads more especially for an event which could be wiped out by the weather. After doing a bit of research I decided to make my own solar filter using Baader AstroSolar Safety Film and some cardboard.
I decided to travel with my Fujifilm cameras as they are smaller and lighter than my Canon rig, easier to transport. There was also the factor of them being mirrorless which I saw as being an extra layer of safety to prevent me from burning out my retinas. I would be looking only at an electronic viewfinder, never a view directly down a lens. The flippy out screen on my X-T1 was also a small factor in favour. This decision being made I then started construction of a filter to fit the longest lens I had for my Fuji cameras, the 55-200mm. This would give me an “equivalent” of a 300mm lens which I knew would be “too short” but I didn’t want to spend thousands just for this one event. I do have the Canon 70-300mm and my old 7D body would make that an equivalent of around 460mm but I had decided to take my Fuji kit and not my Canon kit. The rights and wrongs of that could be debated for ever – the decision had been made.
The solar safety film cost me about £20 for an A4 sheet. A ready made solar filter would have cost me several times that and this was way more fun anyway. The cardboard (as you can see) came from the delivery carton used by my favourite coffee suppliers. In addition some double sided tape and a glue gun were used. Two rings of cardboard were cut and the solar film sandwiched between them then more card was used to create a short tube which would fit over the lens hood of my chosen lens.
I completed the construction of the filter one wet Saturday about three weeks before we were due to fly out to the USA. British Summer being what it is, there wasn’t a sunny day when I was off from work between when I finished making it and when we were due to fly. I did take it out one evening when the sun was behind a layer of clouds and I got at least the idea that it was blocking light. Any other testing would have to wait until we reached Colorado.
Over in Colorado anniversary celebrations were enjoyed, extended family was met, ballgames were watched, mountains were experienced and then we had a couple of quiet days before the journey out to Nebraska for the eclipse. I took the opportunity to set up my camera on a tripod in the garden, pop on the filter and see how it worked. Or how it didn’t.
It worked. And to be honest it worked a lot better than I was expecting it to. At first I thought the splodges were sensor dust. Mirrorless cameras are more prone to suffering from this as when you take the lens off the sensor is directly exposed rather than having a mirror in the way. I was also shooting at f16 which would accentuate any dust on the sensor. However, I moved the sun around in the frame and took more shots as I did so and the splodges stayed put. Sun spots! I couldn’t believe that I was seeing sun spots with my tiny lens and my DIY, bodged together solar filter. I was already excited by the prospect of just seeing a total eclipse. I was now also contemplating the fact that I might be able to capture a set of photos of my own of the event.
I tried the filter out using both my X-Pro2 and the X-T1 (normally I shoot with the 10-24mm on one and a longer lens on the other if I have both bodies with me). I decided that the extra resolution of the X-Pro2 didn’t outweigh the flippy out screen of the X-T1 plus in the event of an accident the X-T1 was bought as a used body and was older technology. Basically I would cry much more if my X-Pro2 got killed during this process. Sorry X-T1 but those were the cold hard facts.
We were due to drive out to Nebraska very early on the morning of Sunday 20th August. We were trying to minimise any issues with busy roads and in the couple of days before we traveled there were indeed stories on the TV news of huge traffic jams and even gas stations running out of fuel. This very nearly put us off the journey. It was a six hour drive each way to our destination in order to see 2 minutes 31 seconds of totality. If we stayed right where we were we would get something like a 90% eclipse without all the driving and the risk of being stranded and out of fuel on the Interstate in the middle of a Mad Max like scenario where rip-off merchants could charge whatever they liked for fuel, food, water – the chance to live on in this cruel, harsh world…
Fortunately our sense of adventure won out and we headed off at 4am on 20th August to drive along I76 and I80 to Hastings and a hotel room we hoped would still be held for us.